The Half Man Half Biscuit Lyrics Project

Busking this at Embankment Tube tomorrow

149 pop songs picked over by pedants!

But then I encounter Primark FM…

After listening through to CSI:Ambleside it was hard to know where to start, but hey, let’s go with the six-minute album closer National Shite Day. Remarkable. As has been commented elsewhere, this is close in spirit to A Country Practice: lots of things not to like, some dark undertones and a rather catchy choon. Oh god, is there really a Primark FM?

See lyrics to National Shite Day

29 Letters Sent:
  1. Tom

    ’spotted a Marsh Fritillary during association’

    And I think it’s ‘Fat kids and sausage rolls, whoresons conducting polls’. Much more Nigel.

  2. Clearly I’m not a butterfly collector. Thanks! Not so sure about the other one, still sounds like “poor sods” to me. Anyone else?

  3. Bob

    Sounds like “His exposed skull a perch for the quartering crow” to me ??

  4. Hoagy

    I think it’s “Fat kids with sausage rolls, poor sods conducting polls”
    and “What news you?, I felt sorry for him”

  5. Giles Pattison

    I’m sure “quartering crow” is correct. Found this “The four quarters of John Stevens, who is hanged, drawn and quartered for treason, are displayed on the City gates, Salisbury, where the crows have a feast Date: March 1635″ with a picture of the four quarters of said Mr Stevens on spikes. Each quarter has a crow perched on it.

  6. You guys justify your selection every week.

  7. It’s TVM, not TVAM. It stands for “TV Movie”. Stockard Channing has been in rather a lot of them.

  8. Houtini

    “poor sods” is right, as is “what news you?” I used to have a friend who would use this irritating misappropriation, much like “what can I do you for?”, “how goes it?” etc.

  9. @Seb: Very good – makes much more sense, and sounds right! A TLA which had heretofore eluded me.
    @Houtini: “what news you?” – I need to get out more, obviously.

  10. leigh

    The note to Phil Cool was “read” not “said”.

  11. tupper

    I think it’s “More bog roll”, not “No bog roll”, but I’m happy to sit corrected.
    I tell you what, this song is a feckin BELTER! One of their best.

  12. tonei

    A proper gem of a song. ‘New Face in Hell’ {das Falle} vs. ‘Bone Machine’ {Pixies}. Funny as fook. I thought it was ’sadolin’ {the wood preperation treatment} but on further investigation, the ’sanderling’ is indeed a wading bird. Last LP I bought was ‘Back in the DHSS’ when it came out !! so I’ve a lot of catching up to do. Great site BTW.

  13. SeanyMac

    Hi Chris

    You’ve missed out that wonderful quiet bit in the middle, where Nigel drones:

    “Float… float on /
    Float… float on /
    Barry… herpes”

    (As in “Larry… Cancer” from Float On by The Floaters).

    Marvellous stuff!

  14. Thanks! It’s added!

  15. Gavin

    To up the pedantry, Millets has only a single t.

  16. That’s the kind of pedantry which makes this all worthwhile. Top marks.

  17. Nick

    I think quartering crow refers to the verb to quarter, from AsxOxford.com:
    “4. range over (an area) in all directions.”

    I’ve seen it used in reference to crows here:

    http://www.strictlybowhunting.com/Anov01issue/crows.htm

  18. Petrovic

    @Seanymac

    Thanks for pointing that out – just looked up the lyrics to Float On and you’ve improved an already brilliant song for me.

  19. Phil

    “And brace the margins” rather than “embrace the margins”?
    I’m sure I’ve heard the phrase before (or maybe it was just a dream).

  20. neville

    Regarding the “bus replacement service” lyric, though I’d agree this is incorrect I’d also say that the “train replacement service” would likely lead to confusion amongst the less able members of society.

    The “replacement bus service” is the best option of all, being neither grammatically incorrect nor ambiguous.

    Yours Sincerely,

    N. Erdington.

    Stoke Poges.

  21. Paul F

    “embrace the margins” is correct I think.

  22. Richard

    I agree with Paul, although I think ‘margin’ is singular not plural.

    I am pretty proud of that bit of pedantry

  23. Paul F

    Well done Richard! Good point.

  24. Charles Exford

    I can’t help but commenting (because the alternative at this precise time would be joining Jools for the Jam Sketch and it’s ANNIE LENNOX), that this – NATIONAL SHITE DAY is probably THE GREATEST SONG RELEASED BY ANYONE IN 2008. I am pretty confident that had the great man been alive this would have been number one in The Festive Fifty 2008.

    I notice that the Festive 50 at dandelionradio.com, the site which probably preserves Peelishness as well as any, has NSD at Number 21. What a travesty !

    Personally me and the Mrs. will be playing this song tonight at midnight and we count ourselves blessed that we saw it played on its live debut … no coincidence that that was on April 23rd, either. It is the UK’s new national anthem as far as I’m concerned. It looks like it is now a set list staple and how lucky we are that it is so …

    I’d just like to quote the splendid Mike Cresswell, who did a definitive review of the excellent Edinburgh gig back in October on hmhb.co.uk. He said what I’d wanted to say about this classic and I couldn’t have put it better meself. I quote:

    “Finally, then I will shut up. Through the fog, through the struggling sound system, a shining light; almost like Monty Python’s stream of bat’s piss (Python ‘Oscar Wilde’ I merely meant, Your Majesty, that you shine out like a shaft of gold when all around is dark).

    National Shite Day is an immense song. An instant ‘classic’ that defines the feeling that we all have at times (some more than others) that the microcosm, that is our life, is being replicated throughout the wider community. It is cathartic; an accolade that is so oft used but rarely, in my opinion, justified.

    This song is that Premier League player that your club (supporters of the big 5, generally; oh, and Spurs) have just bought for Euro 30 million and looks pretty good on first viewing; but then after a few weeks, is absolutely stunning. There are a few. Messrs Veron and Pizzaro may be considered unlikely members of that club.

    In my view, it is a song that should be pre-loaded onto every Ppod. It is there to enjoy, but also to deflect the suffering of a bad day at the office, ground, etc. It just gives that reality check that we all need to inlay a little bit of perspective.

    It was stunning when it was given a live debut at Nottingham, but at Edinburgh, it just seemed even better. Perhaps it was because of the incessant drum and bass beat booming out through the fog, the fact that last Friday was one of the worst days of my life for a long time, or just because it is such an incredible reflection of the way that life can annoy you in such a complex manner; almost by stealth and only when distilled into this song, does it allow you to rationalise it and shrug it off as, ‘that’s the way it is’?

    Enough already. Roll on London. I would expect true Biscuit-lovers to arrange a pre-gig meet at The Falcon in Camden. Well, maybe not. I think it is now derelict. Perhaps the Hawley Arms for a pint or two with the Winehouse? Oh, hang on, that was gutted by fire as well, I think? Don’t worry, there are boozers galore. It is also cruel to expect an Ipswich fan to have to go to Norwich in November, but I will grin and bear it. A plea to the band – NSD to be installed as a staple on the set-list. Inked in, like Cantona would be. Fin.”

  25. Charles Exford

    As an alternative, somewhat inebriated and wildly over-optimistic approach to possibly learning some of the stories behind the lyrics, Mrs.Exford and I got a bit of a chant going at last Friday’s gig, between songs, not once but twice, and several of our fellow moshers at the front joined in with:

    ‘Who the f_, who the f_, who the f_ is Stringy Bob ?’

    [we didn't wait till he played NSD though cos we thought it might be v. late in the set, which indeed it was]

    NB seemed to acknowledge that he’d heard it the 2nd time, but wasn’t impresssed. No response. We won’t be trying anything like that again in a hurry.

    But that’s what I say every time I make a fool of meself at HMHB.

  26. George

    I have looked at the Festive 50 and have noticed that both National Shite Day and Took Problem Chimp are both on there.

    1. Took Problem Chimp should be higher than National Shite Day

    2. Why isn’t FOR WHAT IS CHATTERIS on there? best Biscuit song ever

    3. Im probably the youngest fan of them ever. Age: 12

  27. Jan

    I’ve always thought the first chorus in the middle –” I guess this must be National Shite Day/This surely must be National Shite Day/Don’t tell me, it’s National Shite Day” — was a bit weak in the first two lines (I know, hark at me, which I’ve never written a song in my life) because they are so similar. But I have heard Nigel and the lads perform it twice now and both times Nigel has sung it as “I guess this must be National Shite Day/I’ll wager it’s National Shite Day/Don’t tell me, it’s National Shite Day” and I think he’s found the right and true lyric he wants to put in there, the one that — in his genius — he always knew belonged in that space. Anybody going to Glasgow? Fancy listening out to see if he keeps it up? I’ll be at Bath.

  28. Charles Exford

    Now this is the kind of obsession with detail we shall need as we run out of unknown lyrics to dispute. Well spotted, Jan, and yes please, Glaswegians, please do be alert on our behalves.

    Jan – I’m off to see your mate Eddie & his arty brutes on Friday. Must admit Maud & I still haven’t formed the band he told us to when last he joined us down in the mosh at one of his gigs. It’s definitely on our ‘to do’ list though.

  29. Jan

    Brilliant, Mr E, I was hoping to make their Kingston in-store but some urgent pedantry intervened. Mind you, there’s nothing like the Brut on stage in full cry. Hope you and Maud have a right night of it.

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